Cross Contemporary Art

  • ARTISTS
    • Gregory Amenoff
      • Mono-a-Mono: Gregory Amenoff and Richard Bosman Monotypes
      • Gregory Amenoff: Selected Prints
    • Jeffrey Bishop
    • Katherine Bowling
      • NIGHT FALLS with Katherine Bowling, Jared Handelsman, Portia Munson & Paul Mutimear
        • Katherine Bowling: The Presence of Leaves
    • Richard Bosman
      • Richard Bosman by Eleanor Heartney
      • Mono-a-Mono: Gregory Amenoff and Richard Bosman Monotypes
    • Gregory Crane
    • Mike Cockrill
      • Mike Cockrill
      • Mike Cockrill
    • Susan Copich
    • Ford Crull
      • Ford Crull Solo Show
      • Ford Crull Solo Painting Exhibit “Red”
    • Peggy Cyphers
      • Peggy Cyphers: Solo Show
      • Peggy Cyphers & Catherine Howe
    • Richard Edelman
    • Deborah Freedman
    • Catherine Howe
      • CATHERINE HOWE SOLO SHOW
      • Peggy Cyphers & Catherine Howe
    • Heather Hutchison
      • Heather Hutchison: Here Now
    • Mark Thomas Kanter
    • Ellen Kozak
    • Iain Machell
    • Melissa Meyer
      • Melissa Meyer: On Paper
    • Portia Munson
      • NIGHT FALLS with Katherine Bowling, Jared Handelsman, Portia Munson & Paul Mutimear
      • Portia Munson Solo Show
    • Garry Nichols
      • Garry Nichols “Water Witch” opens 3/7
  • EXHIBITIONS
    • Kingston Design Connection 2020 Show House
    • Heather Hutchison: In Praise of Shadows
    • Millicent Young at 11Jane Street Installation Art and Performance Space
    • ISDay Saugerties
    • Colin Chase Solo Show at 11 Jane Street
    • Lily Prince: There There
    • AESTIVUS: Summer Group Show
    • KINGSTON DESIGN CONNECTION
  • ABOUT

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Peggy Cyphers & Catherine Howe

November 17, 2014 by Jen Dragon


Peggy  Cyphers  and  Catherine  Howe:  Prints  and  Paintings

Cross Contemporary Art is please to present its first Two Person show of the prints and paintings of Peggy Cyphers and Catherine Howe curated by Ford Crull. Both of these New York City based painters have distinguished careers as fine artists and have received numerous awards and fellowships. Opening November 8th, this exhibit showcases the modern expressionist technique grounded in classical tradition of these artists and their individual gestural use of various materials such as sand, metal leaf,ink and oil paint on canvas. Both Cyphers and Howe are inspired by outside world and impassioned brush marks dominate their work. However, the similarities end there as Peggy Cyphers responds to the multi-dimensional experience of the landscape from various points of view (animal and human) and Catherine Howe looks to art history and its exuberant, fleshy subject matter as her starting point.
     In the Brooklyn Rail, Peggy Cyphers art is described by Jonathan Goodman:

“Peggy Cyphers’ painted characters and landscapes vibrate in dialogues of rhythm and repetition that influence sensory perception. Her surfaces recall color field, where abstract forms operate in a psychological dialogue of association – congestion and vast span, hyper-speed and recognizable icons. Cyphers’ painting is automatic writing – a stream of consciousness between geological, primordial and cultural time.”

G. Roger Denson writes about Catherine Howe‘s work:

“Howe especially lingers over exquisite portrayals of beautiful objects, both man-made and organic, envisioned by the Dutch and Flemish masters to convey the transience of life on earth. In this respect Howe disregards the severe and blunt vanitas paintings of skulls and decay in favor of over-ripe and peeled fruit, liquors languishing in food- and lipstick-smudged glassware, and the blooms of flowers showing the first signs of their demise to come.”
Exhibition curator, Ford Crull, has chosen these artists to show together because their personal, emotional engagement in painting is an inspiration to his own career as a painter.
“Both Peggy and Catherine represent what is exciting about gestural and expressionistic art making in the 21st century. They are painter’s painters. The way they both handle the brushstroke and  composition can only be achieved through painstaking time and effort, and continually willing to push the limits. They continue to redefine what can be, and exemplify the continued relevance of painting in our contemporary art forum.This first rate work by these two New York painters is truly art that matters. Its great to curate this two-person exhibit and bring it to a new gallery in the Hudson Valley region where we all derive so much inspiration for what we do.”
 
   Peggy Cyphers & Catherine Howe Two-Person show runs November 7th through December 1st. For more information, please contact Jen Dragon, Director, Cross Contemporary Art 81 Partition Street, Saugerties, NY 12477 845-399-9751
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installation_large_carborundum_monoprints_at_cca
sky_icon_peggy_cyphers
installation_cyanotypes_peggy_cyphers

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Filed Under: Artists, Catherine Howe, Exhibitions, Featured, Ford Crull, Peggy Cyphers, Work Tagged With: abstraction, catherine howe, Catskills, contemporary art, cross contemporary art, fine art, ford crull, Hudson Valley, monoprints, monotypes, new york academy, oils, painter, painting, peggy cyphers, pratt, printmakers, printmaking, Saugerties, women artists

Cross Contemporary Art opens

August 8, 2014 by Jen

Cross Contemporary Art is open! Located in the same space as the recently closed Imogen Holloway Gallery, Cross Contemporary Art will continue to show paintings, sculptures, performances and installations with an emphasis on artists who work in the Hudson Valley and Catskills region. The first exhibit “Collection” is an “installation about one art collector’s aesthetic environment and the creation of the personal museum”.  Currently on view are works by various artists that include: David Chambard, Gregory Crewdson, Ford Crull, Albrecht Dürer, Antonio Frasconi, Adrian Frost, Sir Terry Frost, Brenda Goodman, Heather Hutchison, Mark Thomas Kanter, Robert Mangold, Garry Nichols, Judy Pfaff, Fionn Reilly, Rebecca Purdum, Melinda Stickney-Gibson. August hours are daily 12-7pm.  Please phone 845-399-9751 for more information. 

Curator’s Essay for “Collection”

“Collection: An Exhibition of a Personal Art Installation”
As we live, we collect and what we collect becomes our totems-reliquaries of our hopes and poignant representatives of who we are and want to be. The private art collection is an installation that becomes a personal environment. Each collector acquires objects made by others and creates a private museum.
Life events such as death or divorce can force the dismantling of a collection. The objects are no longer relevant to a lost marriage or possible in a downsized location or of interest to heirs. The attempt to connect to timelessness through art acquisition is heroic. To seek connectivity through disparate elements is an art in itself. The dispersion of a collection is natural to its life cycle as paintings and sculptures scatter again across the world to be recombined in another space and time. And a new installation is born.

opening


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Filed Under: Adrian Frost, Artists, Blog, Catherine Howe, Featured, Ford Crull, Mark Thomas Kanter, Work Tagged With: adrian frost, albrecht durer, antonio frasconi, brenda goodman, david chambard, ford crull, gallery, Garry Nichols, gregory crewdson, heather hutchison, Mark Thomas Kanter, melinda stickney-gibson, rebecca purdum, Saugerties, sir terry frost, terry frost

Studio Visit with Ford Crull

July 27, 2014 by Jen

I’ve been a follower of Mr. Crull’s paintings since the early days when he was showing in NYC’s Lower East Side and later at the M-13 Gallery in SoHo. Although a longtime resident of New York City, Ford also maintains a studio in the Catskills Mountains near Woodstock, NY. It is here that I enjoy Ford’s paintings the most: the intimate encounter surrounded by nature. His new studio is hidden in the woods behind his simple mountain cabin and blends in with the lush forested surroundings. Ford’s work has long called on the mystical for inspiration and his process involves a constant invocation of symbols that tell a timeless story. The gift of being allowed to visit an artists studio and being privileged to see their process is that you see the layers of art clearly which later merge and become a magical presence in the finished work. This time, I saw the whirling, uplifting space that made me think of the painted ceilings of Tiepolo. For the first time, I was aware of how Ford Crull creates a physical sensation in the viewer of vertigo as you feel your center ascend into a brilliant height (or contrarily, descend into a dark comforting depth). It’s the art that makes one emotionally fly, swim, float or coast and Mr. Crull controls the velocity, tension and power like a master Commodore. More of Ford’s latest work can be seen in Seattle July 1-Aug 3

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Filed Under: Artists, Blog, Ford Crull, Studio Visits, Work Tagged With: ford crull, mixed media, nyc, painter, painting, seattle, symbolism, symbolist

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