Cross Contemporary Art

  • ARTISTS
    • Gregory Amenoff
      • Mono-a-Mono: Gregory Amenoff and Richard Bosman Monotypes
      • Gregory Amenoff: Selected Prints
    • Jeffrey Bishop
    • Katherine Bowling
      • NIGHT FALLS with Katherine Bowling, Jared Handelsman, Portia Munson & Paul Mutimear
        • Katherine Bowling: The Presence of Leaves
    • Richard Bosman
      • Richard Bosman by Eleanor Heartney
      • Mono-a-Mono: Gregory Amenoff and Richard Bosman Monotypes
    • Gregory Crane
    • Mike Cockrill
      • Mike Cockrill
      • Mike Cockrill
    • Susan Copich
    • Ford Crull
      • Ford Crull Solo Show
      • Ford Crull Solo Painting Exhibit “Red”
    • Peggy Cyphers
      • Peggy Cyphers: Solo Show
      • Peggy Cyphers & Catherine Howe
    • Richard Edelman
    • Deborah Freedman
    • Catherine Howe
      • CATHERINE HOWE SOLO SHOW
      • Peggy Cyphers & Catherine Howe
    • Heather Hutchison
      • Heather Hutchison: Here Now
    • Mark Thomas Kanter
    • Ellen Kozak
    • Iain Machell
    • Melissa Meyer
      • Melissa Meyer: On Paper
    • Portia Munson
      • NIGHT FALLS with Katherine Bowling, Jared Handelsman, Portia Munson & Paul Mutimear
      • Portia Munson Solo Show
    • Garry Nichols
      • Garry Nichols “Water Witch” opens 3/7
  • EXHIBITIONS
    • Kingston Design Connection 2020 Show House
    • Heather Hutchison: In Praise of Shadows
    • Millicent Young at 11Jane Street Installation Art and Performance Space
    • ISDay Saugerties
    • Colin Chase Solo Show at 11 Jane Street
    • Lily Prince: There There
    • AESTIVUS: Summer Group Show
    • KINGSTON DESIGN CONNECTION
  • ABOUT

Follow Cross Contemporary Art on Artsy

Susan Copich

Susan Copich “Domestic Bliss”

By Any Means © Susan Copich 2015 Happy Days © Susan Copich 2014 Mother's Day ©Susan Copich 2014 Toy © Susan Copich 2014 Witching Hour ©Susan Copich 2014
Thumbnails

Since Susan Copich’s first exhibit of “Domestic Bliss” in 2014 (Umbrella Gallery, NYC), her photographs rapidly travelled over the internet generating tremendous response. Images from the exhibit flashed across countless computer screens worldwide. The elegant scenes depicting suburban privilege are at first glance banalities often found in lifestyle magazines. Like advertisements for an ideal life, the photographic quality and composition mimics a marketing illusion. However, the carefully composed veneer is part of Copich’s message: a fur coat, a swimming pool, an elegant dining room with picture windows, a dream kitchen are all a staged set prepared for actors posed in a “tableau vivant”. But the challenging gaze of the photograph’s female protagonist demands closer examination revealing darker ironies: the pain of parenting, the cruelty of intimacy, the ache of ambivalence, the recklessness of desire, and ultimately the loss of illusion. To engage with these photographs in a gallery, and not through the Internet, is the best way to understand the irony of Ms. Copich’s storytelling. “Domestic Bliss” is a mirage as the moment is imagined while the story-line continues to roll past the stills. The pretty blonde woman staring out at the viewer, is the only moral compass that is constant throughout the photo series. She challenges us to experience the discomfort of the tableau and dares us to recoil from the scene. She presents the taboos of our society and acts as the silent narrator of a morality play frozen by the camera’s eye. The over arching lie of Susan Copich’s “Domestic Bliss” tells a harsh truth by peeling back the veneer of civilization to reveal the danger of denial.
Susan Copich writes about her work: “I dwell in the dark thoughts and recesses of my mind to create character and subject…(and) navigate both my own personal imperatives as woman, artist, mother and wife, as well as those – personal, social, and cultural -that are imposed by
others. My work is my commentary on how a family can live a public life that is far from their private life, even within the family; how secrets are kept, coddled and nurtured”

About Susan Copich:

Since graduating Ohio State University (BFA, 1991), Susan Copich has had professional careers as a modern dancer, teacher and actress. Looking to explore new forms of art and self-expression, Copich returned to academia at New York City’s International Center of Photography. While at ICP, Ms.Copich began laying the mental framework for what would become her photographic series “Domestic Bliss”.The series gives voice to Copich’s inner “darkness” while examining family life in a humorous context. Like many celebrated contemporary artists, Copich’s art rarely inspires a moderate response. Copich’s journey to explore universal truths are celebrated by some and shunned by others. Susan Copich lives in Upstate, NY where she resides with her husband and two daughters.
More information about the artist can be found:
Artist’s website: http://susancopich.com
Media reviews/Interviews (selected):
Daily Mail: http://bit.ly/ccascop1
Slate: http://bit.ly/ccascop2
BoredPanda.com: http//bit.ly/ccascop3
Huffington Post: http://bit.ly/ccascop4
Bust.com: http://bit.ly/ccascop6
Beautiful Decay: http://bit.ly/ccascop7

Share this:

  • Share
  • Share on Tumblr
  • Email
  • Tweet
  • Print
design by OKO and FRC Design Follow Cross Contemporary Art on Artsy
Become a Patron!
loading Cancel
Post was not sent - check your email addresses!
Email check failed, please try again
Sorry, your blog cannot share posts by email.