Cross Contemporary Art

  • ARTISTS
    • Gregory Amenoff
      • Mono-a-Mono: Gregory Amenoff and Richard Bosman Monotypes
      • Gregory Amenoff: Selected Prints
    • Jeffrey Bishop
    • Katherine Bowling
      • NIGHT FALLS with Katherine Bowling, Jared Handelsman, Portia Munson & Paul Mutimear
        • Katherine Bowling: The Presence of Leaves
    • Richard Bosman
      • Richard Bosman by Eleanor Heartney
      • Mono-a-Mono: Gregory Amenoff and Richard Bosman Monotypes
    • Gregory Crane
    • Mike Cockrill
      • Mike Cockrill
      • Mike Cockrill
    • Susan Copich
    • Ford Crull
      • Ford Crull Solo Show
      • Ford Crull Solo Painting Exhibit “Red”
    • Peggy Cyphers
      • Peggy Cyphers: Solo Show
      • Peggy Cyphers & Catherine Howe
    • Richard Edelman
    • Deborah Freedman
    • Catherine Howe
      • CATHERINE HOWE SOLO SHOW
      • Peggy Cyphers & Catherine Howe
    • Heather Hutchison
      • Heather Hutchison: Here Now
    • Mark Thomas Kanter
    • Ellen Kozak
    • Iain Machell
    • Melissa Meyer
      • Melissa Meyer: On Paper
    • Portia Munson
      • NIGHT FALLS with Katherine Bowling, Jared Handelsman, Portia Munson & Paul Mutimear
      • Portia Munson Solo Show
    • Garry Nichols
      • Garry Nichols “Water Witch” opens 3/7
  • EXHIBITIONS
    • Kingston Design Connection 2020 Show House
    • Heather Hutchison: In Praise of Shadows
    • Millicent Young at 11Jane Street Installation Art and Performance Space
    • ISDay Saugerties
    • Colin Chase Solo Show at 11 Jane Street
    • Lily Prince: There There
    • AESTIVUS: Summer Group Show
    • KINGSTON DESIGN CONNECTION
  • ABOUT

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Deborah Freedman

DEBORAH FREEDMAN

unnamed
Land 7
Land 4
A Better World 14 © Deborah Freedman 2017
A Better World 15 © Deborah Freedman 2017
A Better World 17 © Deborah Freedman 2017
End of Snow 14 © Deborah Freedman 2017
End of Snow 17 © Deborah Freedman 2017
Land 7 © Deborah Freedman 2017
nature nurture last show

Slideshow


Deborah Freedman‘s art is committed to exploring the rhythm of nature and capturing the fluctuations of its constantly changing space. Her paintings, drawings and printmaking find both the large cosmic patterns as well as the ephemeral fleeting moments with commanding brushwork and profound color. Ms. Freedman’s landscape work is described by Stewart Waltzer, an analyst of Impressionist auctions for ARTnet, as  “… as an anatomy lesson …conflated with human form. Landscape which holds the promise of physical pleasure. The abstraction holds the emotional content. If it sounds simplistic, imagine trying to organize a coherent vision of something that does not exist. It mixes the personal with the impersonal, landscape in the guise of familiarity.”

Ms. Freedman’s work is in many important collections including The Metropolitan Museum of Art, The New York Public Library, Rutgers University, The Department of State, the Library of Congress, IPCNY,The Hess Collection, CITI, Morgan Guarantee Trust, and Memorial Sloan Kettering Hospital.

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