Cross Contemporary Art

  • ARTISTS
    • Gregory Amenoff
      • Mono-a-Mono: Gregory Amenoff and Richard Bosman Monotypes
      • Gregory Amenoff: Selected Prints
    • Jeffrey Bishop
    • Katherine Bowling
      • NIGHT FALLS with Katherine Bowling, Jared Handelsman, Portia Munson & Paul Mutimear
        • Katherine Bowling: The Presence of Leaves
    • Richard Bosman
      • Richard Bosman by Eleanor Heartney
      • Mono-a-Mono: Gregory Amenoff and Richard Bosman Monotypes
    • Gregory Crane
    • Mike Cockrill
      • Mike Cockrill
      • Mike Cockrill
    • Susan Copich
    • Ford Crull
      • Ford Crull Solo Show
      • Ford Crull Solo Painting Exhibit “Red”
    • Peggy Cyphers
      • Peggy Cyphers: Solo Show
      • Peggy Cyphers & Catherine Howe
    • Richard Edelman
    • Deborah Freedman
    • Catherine Howe
      • CATHERINE HOWE SOLO SHOW
      • Peggy Cyphers & Catherine Howe
    • Heather Hutchison
      • Heather Hutchison: Here Now
    • Mark Thomas Kanter
    • Ellen Kozak
    • Iain Machell
    • Melissa Meyer
      • Melissa Meyer: On Paper
    • Portia Munson
      • NIGHT FALLS with Katherine Bowling, Jared Handelsman, Portia Munson & Paul Mutimear
      • Portia Munson Solo Show
    • Garry Nichols
      • Garry Nichols “Water Witch” opens 3/7
  • EXHIBITIONS
    • Kingston Design Connection 2020 Show House
    • Heather Hutchison: In Praise of Shadows
    • Millicent Young at 11Jane Street Installation Art and Performance Space
    • ISDay Saugerties
    • Colin Chase Solo Show at 11 Jane Street
    • Lily Prince: There There
    • AESTIVUS: Summer Group Show
    • KINGSTON DESIGN CONNECTION
  • ABOUT

Follow Cross Contemporary Art on Artsy

Peggy Cyphers & Catherine Howe

November 17, 2014 by Jen Dragon


Peggy  Cyphers  and  Catherine  Howe:  Prints  and  Paintings

Cross Contemporary Art is please to present its first Two Person show of the prints and paintings of Peggy Cyphers and Catherine Howe curated by Ford Crull. Both of these New York City based painters have distinguished careers as fine artists and have received numerous awards and fellowships. Opening November 8th, this exhibit showcases the modern expressionist technique grounded in classical tradition of these artists and their individual gestural use of various materials such as sand, metal leaf,ink and oil paint on canvas. Both Cyphers and Howe are inspired by outside world and impassioned brush marks dominate their work. However, the similarities end there as Peggy Cyphers responds to the multi-dimensional experience of the landscape from various points of view (animal and human) and Catherine Howe looks to art history and its exuberant, fleshy subject matter as her starting point.
     In the Brooklyn Rail, Peggy Cyphers art is described by Jonathan Goodman:

“Peggy Cyphers’ painted characters and landscapes vibrate in dialogues of rhythm and repetition that influence sensory perception. Her surfaces recall color field, where abstract forms operate in a psychological dialogue of association – congestion and vast span, hyper-speed and recognizable icons. Cyphers’ painting is automatic writing – a stream of consciousness between geological, primordial and cultural time.”

G. Roger Denson writes about Catherine Howe‘s work:

“Howe especially lingers over exquisite portrayals of beautiful objects, both man-made and organic, envisioned by the Dutch and Flemish masters to convey the transience of life on earth. In this respect Howe disregards the severe and blunt vanitas paintings of skulls and decay in favor of over-ripe and peeled fruit, liquors languishing in food- and lipstick-smudged glassware, and the blooms of flowers showing the first signs of their demise to come.”
Exhibition curator, Ford Crull, has chosen these artists to show together because their personal, emotional engagement in painting is an inspiration to his own career as a painter.
“Both Peggy and Catherine represent what is exciting about gestural and expressionistic art making in the 21st century. They are painter’s painters. The way they both handle the brushstroke and  composition can only be achieved through painstaking time and effort, and continually willing to push the limits. They continue to redefine what can be, and exemplify the continued relevance of painting in our contemporary art forum.This first rate work by these two New York painters is truly art that matters. Its great to curate this two-person exhibit and bring it to a new gallery in the Hudson Valley region where we all derive so much inspiration for what we do.”
 
   Peggy Cyphers & Catherine Howe Two-Person show runs November 7th through December 1st. For more information, please contact Jen Dragon, Director, Cross Contemporary Art 81 Partition Street, Saugerties, NY 12477 845-399-9751
catherine_howe_and_peggy_cyphers
catherine_howe_printing_carborundum_monoprint
proserpina_frenchie_catherine_howe
bouquet_swanning_catherine_howe
detail_bouquet_catherine_howe
woodpecker_peggy_cyphers
carborundum_monoprint_catherine_howe
installation_large_carborundum_monoprints_at_cca
sky_icon_peggy_cyphers
installation_cyanotypes_peggy_cyphers

[Show slideshow]

Share this:

  • Share
  • Share on Tumblr
  • Email
  • Tweet
  • Print

Filed Under: Artists, Catherine Howe, Exhibitions, Featured, Ford Crull, Peggy Cyphers, Work Tagged With: abstraction, catherine howe, Catskills, contemporary art, cross contemporary art, fine art, ford crull, Hudson Valley, monoprints, monotypes, new york academy, oils, painter, painting, peggy cyphers, pratt, printmakers, printmaking, Saugerties, women artists

Richard Bosman by Eleanor Heartney

October 6, 2014 by Jen Dragon

Richard Bosman: Raw Cuts

Since he first emerged on the art scene in the early 1980s, Richard Bosman has been a master of what he terms the “ambiguous narrative”. In his early days, he was associated with the neo-expressionist movement, and gained attention and notoriety for loosely painted figural tableaux that often featured disturbing and violent scenarios – among them people drowning, brandishing weapons, and graphically perpetrating or suffering carnage. Though critics linked the works to an environment of crime and violence that surrounded New York’s East Village milieu which birthed neo expressionism, in fact, Bosman’s sources were comic books, Kung Fu and other forms of pop culture.

Today, the narratives in his works remain ambiguous, but they are quieter, and more freighted with psychological significance. While he continues to paint, he is also an accomplished printmaker. The works in this show reveal his facility with woodblock and linoleum relief. He notes that for him, painting is an additive process while printmaking is a reductive one, as he cuts away at the block to create his image. The result, as this series reveals, are simple, but potent images that encourage multiple readings. Still drawn to sources in popular culture, which he now gathers not only from films and comic books, but also from the internet, Bosman focuses here on closely cropped scenes full of foreboding, sexual tension, and unexplained anticipation. While there is no clear plot, viewers find themselves linking images to create any number of open-ended storylines. -Eleanor Heartney
Richard Bosman’s “Raw Cuts” a collection of woodcuts printed by the artist himself is on view at Cross Contemporary Art in Saugerties through Nov 3, 2014

"strip" Bosman Kiss "screech" "rage"
Thumbnails

Share this:

  • Share
  • Share on Tumblr
  • Email
  • Tweet
  • Print

Filed Under: Artists, Blog, Exhibitions, Featured, Richard Bosman, Uncategorized, Work Tagged With: eleanor heartney, fine arts, lacma, metropolitan museum of art, MoMA, mona, neo-expressionist, nyc, painter, printmaker, prints, richard bosman, stampa, stampe, woodcut, xilografia

Ford Crull Solo Show

August 18, 2014 by Jen Dragon

Painter Ford Crull will have a solo show at Cross Contemporary Art in Saugerties, NY opening Friday August 29 with a reception for the artist Saturday August 30 from 4-8pm . Mr. Crull, whose work is in the collections of the Metropolitan Museum of Art, the National Gallery and the Brooklyn Museum, exhibits his latest paintings, encaustics and mixed-media drawings throughout the month of September. Included in this show is Ford Crull’s poignant encaustic series, White Rose, dedicated to the German student resistance movement against the Nazis during WWII. According to ArtNews critic Eleanor Heartney, Ford Crull’s paintings are “powerful, deeply felt” and convey a “genuine sense of mystery and wonder”. According to Mr. Crull “This mystery is where I find the real pleasure in painting. There is a beauty, simplicity and elegance in symbols, especially ones that are historically and culturally used over and over and often in different contexts with different meanings.”

Although based in New York City, Mr. Crull has long maintained a studio in Willow where many of the current artworks in the upcoming exhibit have been created. Gallery director Jen Dragon describes Mr. Crull’s exhibit at Cross Contemporary Art as an “important exhibition of a modern symbolist. Although internationally known and NYC-based, Ford Crull has always maintained a studio in the Hudson Valley and derives much of his creative energy from the quietude of the Catskills forests, mountains and streams.” Ford Crull’s solo show will be on view starting Friday August 29th and continues through September 29, 2014.

Share this:

  • Share
  • Share on Tumblr
  • Email
  • Tweet
  • Print

Filed Under: Blog, Exhibitions, Featured, Ford Crull

Cross Contemporary Art opens

August 8, 2014 by Jen

Cross Contemporary Art is open! Located in the same space as the recently closed Imogen Holloway Gallery, Cross Contemporary Art will continue to show paintings, sculptures, performances and installations with an emphasis on artists who work in the Hudson Valley and Catskills region. The first exhibit “Collection” is an “installation about one art collector’s aesthetic environment and the creation of the personal museum”.  Currently on view are works by various artists that include: David Chambard, Gregory Crewdson, Ford Crull, Albrecht Dürer, Antonio Frasconi, Adrian Frost, Sir Terry Frost, Brenda Goodman, Heather Hutchison, Mark Thomas Kanter, Robert Mangold, Garry Nichols, Judy Pfaff, Fionn Reilly, Rebecca Purdum, Melinda Stickney-Gibson. August hours are daily 12-7pm.  Please phone 845-399-9751 for more information. 

Curator’s Essay for “Collection”

“Collection: An Exhibition of a Personal Art Installation”
As we live, we collect and what we collect becomes our totems-reliquaries of our hopes and poignant representatives of who we are and want to be. The private art collection is an installation that becomes a personal environment. Each collector acquires objects made by others and creates a private museum.
Life events such as death or divorce can force the dismantling of a collection. The objects are no longer relevant to a lost marriage or possible in a downsized location or of interest to heirs. The attempt to connect to timelessness through art acquisition is heroic. To seek connectivity through disparate elements is an art in itself. The dispersion of a collection is natural to its life cycle as paintings and sculptures scatter again across the world to be recombined in another space and time. And a new installation is born.

opening


Share this:

  • Share
  • Share on Tumblr
  • Email
  • Tweet
  • Print

Filed Under: Adrian Frost, Artists, Blog, Catherine Howe, Featured, Ford Crull, Mark Thomas Kanter, Work Tagged With: adrian frost, albrecht durer, antonio frasconi, brenda goodman, david chambard, ford crull, gallery, Garry Nichols, gregory crewdson, heather hutchison, Mark Thomas Kanter, melinda stickney-gibson, rebecca purdum, Saugerties, sir terry frost, terry frost

Studio Visit with Ford Crull

July 27, 2014 by Jen

I’ve been a follower of Mr. Crull’s paintings since the early days when he was showing in NYC’s Lower East Side and later at the M-13 Gallery in SoHo. Although a longtime resident of New York City, Ford also maintains a studio in the Catskills Mountains near Woodstock, NY. It is here that I enjoy Ford’s paintings the most: the intimate encounter surrounded by nature. His new studio is hidden in the woods behind his simple mountain cabin and blends in with the lush forested surroundings. Ford’s work has long called on the mystical for inspiration and his process involves a constant invocation of symbols that tell a timeless story. The gift of being allowed to visit an artists studio and being privileged to see their process is that you see the layers of art clearly which later merge and become a magical presence in the finished work. This time, I saw the whirling, uplifting space that made me think of the painted ceilings of Tiepolo. For the first time, I was aware of how Ford Crull creates a physical sensation in the viewer of vertigo as you feel your center ascend into a brilliant height (or contrarily, descend into a dark comforting depth). It’s the art that makes one emotionally fly, swim, float or coast and Mr. Crull controls the velocity, tension and power like a master Commodore. More of Ford’s latest work can be seen in Seattle July 1-Aug 3

[Read more…]

Share this:

  • Share
  • Share on Tumblr
  • Email
  • Tweet
  • Print

Filed Under: Artists, Blog, Ford Crull, Studio Visits, Work Tagged With: ford crull, mixed media, nyc, painter, painting, seattle, symbolism, symbolist

Adrian Frost

November 7, 2010 by Jen

Adrian Frost has been an artist-in-residence at 11 Cross Gallery and the character of this space took its cue from his energy and work.  In person, Adrian is a powerful, compassionate and  inspiring personality.  He creates an enviroment around himself  that demands participation: there is no such thing as a passive observer in Adrian’s world.  This participation can be by stepping over a pile of salt cushioning a block of driftwood, crouching around a tipped form to view the reverse side or recoiling from the jagged edges of broken glass.

An encounter with Adrian is always memorable as is any encounter with his art.  At first, one is struck by the “arte povera” qualities: chipped plexiglass, broken planks, plateglass “mended” by masking tape  but on closer examination everything is beautifully crafted, deliberate and secure.  The appearance of fragility is purely deceptive as the strength of the artist’s message emerges.

“those who know speak not…” by Adrian Frost upright view courtesty the Image Factory

In his paintings, Adrian combats space forging not so much letters but forms that individually embody the power of the entire word.  Painted phrases such as: “improvised explosive device” or “have a nice day” invoke a new meaning when the space of each painted character is fought for with a passionate brush. In his sculptures, Adrian  chisels cryptic poems into weathered wood.  A long bench states: “those who know speak not, those who speak, know not”  and the interiors of the hewn letters are painstakingly lined in sterling silver leaf.  The installation of this piece, like many others, will shift depending on context and enviroment.  Sometimes, Adrian has exhibited “those who know…” as an upright bench, other times it has been shown face down, barely legible save by looking at a mirror placed underneath and partially obscured by coarse rock salt.   This sculpture, installed as a functional bench, invites body contact yet another placement puts the work out of reach by making its meaning more obscure.  Other artwork can be buried in dirt, shielded behind broken glass or flipped to the wall (“One Man” 11crossgallery Saugerties, NY 13 August 2010), and yet in another incarnation  (“Another Circle” Emerson Resort, Mount Tremper NY 4 June 2010), the same work can manifest a table, exhibit handsome framing or be mounted like a ladder inviting ascension.
Adrian’s next show “Introducing Furies: The Erinyes, Cthonic Deites Supernatural Personifications of the Anger of the Dead” opens September 3, 2011 3-5pm at The Art Colony Eureka Springs , Arkansas.

[Read more…]

Share this:

  • Share
  • Share on Tumblr
  • Email
  • Tweet
  • Print

Filed Under: Adrian Frost, Artists, ARTISTS, Blog, Exhibitions, Work Tagged With: 11, 11 Cross Gallery, adrian frost, art, arte povera, cornwall, Emerson Resort, England, enviroment, painting, Saint Martins, Saugerties, sculpture

Another Circle

June 12, 2010 by Jen

Another Circle

“Another Circle”, an art exhibition by area artists will be on view Fri, Sat & Sun 11-6 from June 4 thru June 27th at the Emerson Resort, Mount Tremper, NY.   “Another Circle” derives its theme from a quote by Ralph Waldo Emerson:
“The eye is the first circle; the horizon which it forms is the second; and throughout nature this primary figure is repeated without end /Our life is an apprenticeship to the truth,that around every circle another can be drawn; that there is no end in nature, but every end is a beginning”

Exhibition Artists:
Adrian Frost
Ben La Rocco
Claude Carone
Fionn Reilly
Garry Nichols
Heather Hutchison
Ian Laughlin
Jeff Leonard
John Stalling
Mark Kanter
Nadja Petrov
Ric Dragon
Robert The

[Read more…]

Share this:

  • Share
  • Share on Tumblr
  • Email
  • Tweet
  • Print

Filed Under: Adrian Frost, Artists, Blog, Fionn Reilly, Heather Hutchison, Mark Thomas Kanter, Work Tagged With: adrian frost, Ben LaRocco, claude Carone, Emerson Resort, Fionn Reilly, Garry Nichols, Heather Huchison, Ian Laughlin, Jeff Leonard, Jen Dragon, Mark Thomas Kanter, Nadja Petrov, Ric Dragon, Robert The

  • « Previous Page
  • 1
  • 2
  • 3
  • 4
design by OKO and FRC Design Follow Cross Contemporary Art on Artsy
Become a Patron!
loading Cancel
Post was not sent - check your email addresses!
Email check failed, please try again
Sorry, your blog cannot share posts by email.