I’ve been a follower of Mr. Crull’s paintings since the early days when he was showing in NYC’s Lower East Side and later at the M-13 Gallery in SoHo. Although a longtime resident of New York City, Ford also maintains a studio in the Catskills Mountains near Woodstock, NY. It is here that I enjoy Ford’s paintings the most: the intimate encounter surrounded by nature. His new studio is hidden in the woods behind his simple mountain cabin and blends in with the lush forested surroundings. Ford’s work has long called on the mystical for inspiration and his process involves a constant invocation of symbols that tell a timeless story. The gift of being allowed to visit an artists studio and being privileged to see their process is that you see the layers of art clearly which later merge and become a magical presence in the finished work. This time, I saw the whirling, uplifting space that made me think of the painted ceilings of Tiepolo. For the first time, I was aware of how Ford Crull creates a physical sensation in the viewer of vertigo as you feel your center ascend into a brilliant height (or contrarily, descend into a dark comforting depth). It’s the art that makes one emotionally fly, swim, float or coast and Mr. Crull controls the velocity, tension and power like a master Commodore. More of Ford’s latest work can be seen in Seattle July 1-Aug 3
Art Collaboration: Ross Bleckner and Steuben
Art Collaboration: Ross Bleckner and Steuben
Glass

Artist Ross Bleckner Stands in the Foreground of His Steuben Designer Collaboration Piece, Interaction
There is a time-honored tradition of artists working together with fine craftsmen to create beautiful art. Old Masters such as Peter Paul Rubens partnered with engravers and modern masters such as Pablo Picasso collaborated with top artisans in a variety of media to create ceramics, prints and sculptures. In this spirit, Ross Bleckner has undertaken his first art collaboration in glass with the venerable crystal house Steuben. The confluence of the brilliant crystal glass medium and Mr. Bleckner’s luminous art is a powerful addition to Matisse, Cocteau, Dali, O’Keefe, Noguchi and other 20th century artists whose designs have already been commissioned by Steuben since its inception in 1903. Ross Bleckner’s work has long dealt with fragility of life, with light, and abstraction through extreme representation. His paintings convey poetry, luminosity and an attention to technique that has earned him the respect as a modern master. Mr. Bleckner’s subject matter shifts from the micro-cellular level to the vast stellar cosmos bridging the gap between large and minute. His message is the experience of the mind grasping what is too large or too small to see and the fragility of human consciousness that is dependent on these unseen forces for its existence. Together with Steuben’s unique prismatic crystal glassmaking that captures, reflects and refracts light and the ironic fragile nature of the crystal’s solid weight, the art collaboration is well suited to Ross Bleckner’s aesthetic preoccupations.
The artist was commissioned by Steuben to create three designer collaboration pieces: a sculpture for Steuben’s permanent museum collection, a limited edition series, and an accessible line of small glass figurines. The main piece is a huge 200lb slab of crystal entitled “Interaction”. This sculpture maps the human DNA in layered glass depicting the building block of life as entrapped molecules floating in a luminous red sea. Ross Bleckner’s crystal glass sculpture “Pharmakinetic”, cast in an edition of 12, is an enlarged molecule of a psychotropic drug imposing in its transparency, capturing and amplifying the surrounding light as its form shifts in a surreal optical interaction with its encompassing glass cube. The Ross Bleckner engraved crystal figurine “Forgotten” is a coffin lid in solid crystal. The small scale (2.25” x 4.75”) belies the immensity of its tragic message ennobled by the seemingly insubstantial glass form.
Artists collaborating with master craftsmen create new opportunities for expression both for the art and for the medium. Because of its heavy nature, crystal forms have size limitations, yet Ross Bleckner pushed the physical constraints of glass with his immense “Interaction”. Instead of working with crystal as a functional art (for example, etching the surface of a plate or vase as artists have traditionally done with glass) Mr. Bleckner has created sculpture whose only purpose is to interact with its environment. The power of Mr. Bleckner’s art overcomes the fragile nature of the glass medium rendering it invincible, while Steuben’s crystal craftsmanship discovers a new facet of modern expression through this art collaboration with Ross Bleckner.
Adrian Frost
Adrian Frost has been an artist-in-residence at 11 Cross Gallery and the character of this space took its cue from his energy and work. In person, Adrian is a powerful, compassionate and inspiring personality. He creates an enviroment around himself that demands participation: there is no such thing as a passive observer in Adrian’s world. This participation can be by stepping over a pile of salt cushioning a block of driftwood, crouching around a tipped form to view the reverse side or recoiling from the jagged edges of broken glass. 
An encounter with Adrian is always memorable as is any encounter with his art. At first, one is struck by the “arte povera” qualities: chipped plexiglass, broken planks, plateglass “mended” by masking tape but on closer examination everything is beautifully crafted, deliberate and secure. The appearance of fragility is purely deceptive as the strength of the artist’s message emerges.
Another Circle
Another Circle
“Another Circle”, an art exhibition by area artists will be on view Fri, Sat & Sun 11-6 from June 4 thru June 27th at the Emerson Resort, Mount Tremper, NY. “Another Circle” derives its theme from a quote by Ralph Waldo Emerson:
“The eye is the first circle; the horizon which it forms is the second; and throughout nature this primary figure is repeated without end /Our life is an apprenticeship to the truth,that around every circle another can be drawn; that there is no end in nature, but every end is a beginning”
Exhibition Artists:
Adrian Frost
Ben La Rocco
Claude Carone
Fionn Reilly
Garry Nichols
Heather Hutchison
Ian Laughlin
Jeff Leonard
John Stalling
Mark Kanter
Nadja Petrov
Ric Dragon
Robert The
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